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Colin was in the group that was opening for Brubeck. I knew he had tremendous chops, but when I saw and heard him play in person, I just had to have that technique.For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.Since that move, he has played with Stan Getz, Kenny Burrell, Herb Ellis, Charlie Byrd and singers Carol Sloane, Ernestine Anderson, Susannah Mc Corkle, Rosemary Clooney, and Joe Williams.During this period, he worked and recorded with the Concord Records artists Howard Alden, Frank Vignola, Jimmy Bruno, and Stef Scaggiari.Colin Bailey Born in Swindon, England on July 9th 1934, Colin Bailey began playing drums at age four.He also studied piano and theory at an early age, and worked with English name bands from age eighteen. At that time he accompanied distinguished visiting jazz artists such as Dizzy Gillespie and Sarah Vaughan.In 1989 Joe Pass started up the Quartet that recorded For Django again. As Colin says “It was a bonus in life to have had that time playing with Joe and the group again.”Colin has toured extensively in the U. A., Japan, Europe, South America and Canada, with Benny Goodman, George Shearing, Richie Cole, Vic Damone, Ernestine Anderson, Al Hirt, Doc Severinsen, Carol Sloane, Susannah Mc Corkle and Joe Pass. Bain earned his place as the number one guitarist for many Hollywood studios in the 1950s and 60s.They did seven recordings, and played the Blue Note clubs in Japan as well as venues in the U. He played on countless jingles, albums, and soundtracks for television and movies. Records by Frank Sinatra, including Young At Heart and Ive Got You Under My Skin, featured Bain on guitar, as did records with his favorite male vocalist, Nat King Cole including Unforgettable.

Dick said the reason he hired Colin was because he heard “Cast Your Fate.” That session became a whole record because Dick liked the way the trio played together.One memorable night, about midnight, Hughes, wearing a sports coat, tie, and tennis shoes, sat at the table. George fell ill and returned home, but Bain and the ladies stayed.He requested Im Gonna Take A Slow Boat To China, which the group played straight away. Bain eventually came home, and in late 1945, he received a call from guitarist Dave Barbour.He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.Joe and I have been the best of friends ever since.”Jazz Impressions of Black Orpheus In 1961, Colin emigrated to the U. In February of 1962, the record Jazz Impressions of Black Orpheus was made, featuring the tune “Cast your fate to the Wind” which was Vince’s composition. Victor had heard the record and wanted Colin to be a member of his group. Local and visiting musicians would come into the club on Sunset Boulevard called The Scene to hear the trio play.

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